Louth Choral Society

Established before 1836

Song of Songs: "... innovation [and] excellence ...." ; "Louth Choral Society at their very best".
Reviews



Louth Choral Society excelled in staging the innovative ‘Song of Songs’ concert on Sunday 24th March in St James’s Church, Louth covering themes from Holy Week. It featured six soloists, strings, harp and organ continuo accompaniment and two conductors. The large audience was treated to a treasure of choral composition from 14c through to the present day, ending with the group of six choral pieces for strings and voices, ‘Song of Songs’, (2009), composed and conducted by Patrick Hawes, former Classic FM 2006/7 Composer in Residence.

The first half started with a group of seven short settings in honour of the Virgin Mary under the direction of Martin Pickering which included settings by Britten, Liszt, Grieg and Bruckner. The opening ‘Angelus ad Virginem, sung from behind the choir, which comprised of solo voices and strings, set the scene, followed by a beautifully poised unaccompanied performance of the Basque carol, ‘The Angel Gabriel from heaven came’ by the choir. The choir and soloists were in good voice and other pieces in the group included a most effective interpretation of Britten’s ‘A Hymn to the Virgin’ for choir and quartet.

The first half ended with Emanuele d’Astrorga’s rarely performed ‘Stabat Mater’, conducted by Patrick Hawes, reflecting text for Good Friday. This was a beautiful balance of accompaniment, soloist and chorus work.

The second half picked up the theme of rebirth based on text from the Song of Solomon and allowed the various guests to take centre stage. It started with Purcell’s ‘My beloved spake’, featuring four exceptional young graduate singers form St John’s College , Cambridge: Counter tenor Oliver El-Holiby, Tenor Julian Gregory, Baritone Henry Neil and Bass Basil McDonald. The chorus and soloists brought rhymic energy to create an atmosphere of unrestrained joy.

Next followed ‘A Four Seasons taster’ by the well-known string Quartet ‘Raven’, famous for their remarkable cross-over repertoire, which was full of energy and vitality. The engagement of this string quartet together with Double bass, Pietro Lusvardi and Harpist Rowena Bass was highly effective and created a beautiful atmosphere throughout the concert.

The concert closed with Patrick Hawes’s, ‘Song of Songs’ a hauntingly beautiful composition, featuring Soprano, Natalie Clifton-Griffiths, who made this very demanding piece seem quite effortless. This modern work has an instant attraction and contrasting moods which had the audience spell bound and including solo harp accompaniment in one piece, a duet of solo violin and soprano plus chorus in another. Long applause followed to end over two hours of superb music and show appreciation of the creative collaboration of the Society with Patrick Hawes and the musicians he brought to the concert.

We are fortunate in Louth to have a Choral Society which brings innovation as well as excellence to their concerts and is a credit to Martin Pickering Musical Director and Assistant Anthony Pinel. The influence of their vocal coach and the sixth soloist, Gill Parker was evident in the quality of the chorus singing.

Don’t miss their next concert ‘Tarantara!’ in James’s Church, Louth at 7:30pm on Sunday 7th July featuring favourite Gilbert and Sullivan songs and choruses.

John Smith, 24 March 2013

There was not a magician in sight or even a whisper of a wand with mystical powers, yet there was undoubtedly something magical about this concert.
On Psalm Sunday and the eve of Lady Day, the concert began with a selection of anthems and songs in honour of the Virgin Mary.

The first of which was the thirteenth century Angelus ad Virginen; performed by a small hidden ensemble, angelic voices floated through the church and set the evening’s tone.

Under the direction of Martin Pickering and featuring the choir and their guest soloists, compositions by Britten, Liszt and Grieg followed with equal delight.

Speaking earlier in the month, celebrated Lincolnshire-born composer Patrick Hawes said, “Even if people aren’t churchgoers, they will still enjoy this concert,” and thus it proved.

He ascended the conductor’s rostrum to lead Emanuele d’Astorga’s ‘Stabat Mater’, which tells of Mary’s anguish as she stands at the foot of the cross.
In beautiful harmony with the choir, this featured their guest soloists Natalie Clifton-Griffith, Oliver El-Holiby, Julian Gregory, Henry Neil and Basil McDonald.

Throughout the evening, Rowena Bass (harp), Pietro Lusvardi (double bass), Anthony Pinel (organ continuo) and Raven (string quartet) provided a sensitive and inspiring musical accompaniment.

Raven performed during the closing ceremony of the London Olympics and they treated us to an all-too-brief ‘A Four Seasons taster’, the rapturous response clearly reflected a desire to hear more.

The highlight of the evening was undoubtedly Patrick Hawes conducting his own composition ‘Song of Songs’, a sequence of six poems derived from the Old Testament Song of Solomon by his brother.

Patrick paid warm tribute to Andrew Hawes, sitting in the audience, and there is inevitably something exceptional when a composer conducts their own work.
The result was simply exquisite, a stunning performance by soprano Natalie Clifton-Griffith and Louth Choral Society at their very best.

Prolonged applause triggered an impromptu encore of the suite’s title song; a reprise of the entire suite would have proved equally welcome.

Trevor Ekins, 6 April 2013, Grimsby Telegraph